Skip to main content

Furiosa: A Mad Max Saga review – Anya Taylor-Joy is tremendous as chase resumes

Cannes film festival
Taylor-Joy makes a fantastic action heroine, facing down a hilariously evil Chris Hemsworth in signature high-speed fights

‘My childhood! My mother! I want them back!” With this howl of anguish, young Furiosa, played by Anya Taylor-Joy, sets the tone of vengeful rage that runs through George Miller’s immersive, spectacular prequel to his Mad Max reboot from 2015. Once again, there are the crazily colossal and weird convoy-action sequences which fuse the notion of “chase” and “violent combat” into a series of delirious high-velocity contests between motorbikes, 18-wheelers and armed parascenders all attacking and shooting at each other while fanatically zooming in the same direction. The vehicles themselves are what makes the Mad Max movies so very strange. Many films are called “surreal”, but these strange, ritualistic gladiator-vehicle displays in the reddish-brown emptiness really do look like something by Giorgio de Chirico or Max Ernst.

Furiosa is the origin story of the glamorous, one-armed badass from the first film. Incidentally, I haven’t seen an arm loss like this since 11-year-old midshipman Blakeney got his amputated aboard ship in Master and Commander – and he made a bit more of a fuss about it than Furiosa. It is of course set in Australia’s vast post-apocalyptic wilderness where warlords in their various compounds rule over precious reserves of food, water, ammo and fuel. Furiosa, played in the first film by Charlize Theron, was notionally in the service of the hateful chieftain Immortan Joe; she was in charge of leading raiding parties against rivals and enemies, and fated herself to be a rebel.

Continue reading...

from The Guardian https://ift.tt/oaV0DRc

Comments

Popular posts from this blog

How Rico Lewis helped harden up Manchester City’s treble challenge | Jamie Jackson

Guardiola believes advent of the teenage talent sowed seeds of change that turned his side into champions again Mid-January, the Etihad Campus. Before Tottenham’s visit a discontented Pep Guardiola is addressing a Manchester City team meeting that includes Erling Haaland, Kevin De Bruyne, John Stones and Ederson. The champions are in second place, eight points behind Arsenal, each having played 18 games. Performances have dipped and so has the attitude of his players. The final match before the World Cup was a 2-1 home defeat by Brentford . Since the tournament, City have beaten Leeds and Chelsea, drawn with Everton and lost their previous outing , 2-1 at Manchester United. Seven points from 15 is not championship-defending form and, when being knocked out of the Carabao Cup by Southampton is factored in, Guardiola can see City’s campaign derailing. Continue reading... from The Guardian https://ift.tt/h8WjbMX

Wandsworth escape accused says it was ‘foolish’ to jail him with his ‘skill set’

Daniel Khalife, 23, says he absconded because he was ‘terrified’ of being locked up with dangerous offenders A former British soldier has told a jury he did not hand himself in after he escaped from prison because he was “finally demonstrating what a foolish idea it was” to imprison someone with his “skill set”. Daniel Khalife, 23, told the court he absconded from Wandsworth prison while on remand because he was “terrified” of being locked up with “serious sex offenders” and “terrorists” who wanted to kill him, and that he did not think his imprisonment would be in the public interest. Continue reading... from The Guardian https://ift.tt/vRZHkaw

The Green Planet review – David Attenborough’s gobsmacking, awe-inspiring return

From glowing bioluminescent fungus to 7,000 different camera set-ups for ants, the veteran broadcaster’s miraculous profile of plant life will have you gasping in astonishment so often you’ll be breathless One of the televisual joys I most remember from childhood was when a programme – often a nature documentary, but sometimes a few seconds on Sesame Street or a Tomorrow’s World demonstration of new technology – would show a flower unfolding with time-lapse photography. It was always sudden, always fleeting, and of course there weren’t even any recording buttons – let alone live pausing and rewinding facilities – that you could quickly press in order to capture and relive the delight. It was ever ephemeral, and I could never get enough. Until now, with the latest gift from David Attenborough and his endlessly patient and dedicated team of camera operators (to whom a now traditional 10-minute coda is again devoted), The Green Planet (BBC One). The new five-part series presented by the...