St George’s Bristol
The former church was an excellent setting for Robert Hollingworth and his group’s superb exploration of Benevoli’s baroque masses for multiple choirs
I Fagiolini may be a small vocal ensemble, but their director Robert Hollingworth thinks big, always pushing boundaries in an imaginative way. Their 2023 recording of music by the 17th century Orazio Benevoli – a leading composer in Rome’s post-Palestrina era – was much admired and they’re now exploring more of Benevoli’s masses for multiple choirs. Bristol’s St George’s, whose gallery runs on three full sides of the former church, offered an excellent setting.
In Benevoli’s Missa Angelus Domini for three choirs of four voices – a single voice to each part as was the usual practice – the complexity of the interweaving lines emerged with clarity, the singing gutsy rather than overly refined. Individual voices were free to come through the texture with colourful flourishes when appropriate, the primacy of the text paramount and the two chamber organs and theorbo added subtle detail.
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