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Mother Courage and her Children review – wartime profiteering rarely sounded so good

Horden Methodist Church, County Durham
Ensemble ’84 generate an exhilarating racket in this gutsy rendition of Brecht’s play about the thirty years’ war

The noise is constant. It is in the eight marimbas lined up across the stage, which add a South African bounce to Bertolt Brecht’s 1939 epic of the thirty years’ war. It is in the operatic songs, all lush harmonies and pulsing percussion. And it is in the vocal effects of the large cast, adding birdsong or insect rhythms to the battlefields. Sometimes it is in the crackle of a plastic bottle to suggest fire, the shuddering boom of a drum to indicate an execution, or the grind of hands across metal for machine-gun fire.

All of it is generated by the actors, much like the set, by the ensemble with Janet Brown and Eve Booth: a resourceful collection of corrugated iron, wooden pallets, old tyres and buckets. It gives Mark Dornford-May’s production an in-built theatricality: each performance created anew.

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from The Guardian https://ift.tt/kFRyJaG
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